×

Apply

Apply

Karen Kassap Interview - The Hopper Prize

Karen Kassap

Karen Kassap discusses making work that expresses ideas & emotions, finding balance between inner life & the outer world, & producing metaphors for universal emotions & meaning.

photo by @galezucker

How did you get into making art?

I was fortunate to grow up in a home with parents who were very artistic and creative people. Making things was normal. For many years I focused on black and white photography and gum bichromate printing. I explored collage independently, but my mentor Debbi Pendel introduced me to a methodology that liberated me from my perfectionist inhibitions. I learned how to use my imperfect works of drawing, painting and photography to create something new that perfectly expressed my ideas and emotions.

What are you currently working on?

I have recently created several new works related to my Covid series. These pieces are more hopeful and less ominous. I am also revisiting three dimensional works. Working on assemblages presents a new challenge and a different way of using collage. These new works represent ideas that have been simmering for a long time.

These assemblages provide a needed moment of reflection and transition.

Karen Kassap

What inspired you to get started on this body of work?

The assemblage works are a refreshing transition from my Covid Series, which chronicled the pandemic from March 2020 until the end of the year. My creative vision was strongly influenced by the pandemic. Now that a vaccine allows us to carefully resume some of our previous activities, I am finding balance between my inner life and the outer world. These assemblages provide a needed moment of reflection and transition.

photo by @galezucker

Do you work on distinct projects or do you take a broader approach to your practice?

I do both. I take a broad approach to my work in that it always reflects my personal experience as a Jewish woman, mother, wife and a feminist. Those roles color the lens through which I see the world. I may rely on specific symbolism in my works, but I intend them as metaphors for universal emotions and meaning. I find that I work best by defining specific projects and committing myself to see them through to conclusion.

photo by @galezucker

What’s a typical day like in your studio?

When I am involved in a project or a piece I am busy with the making. If I’m stuck I may start a new piece. Sometimes I need to procrastinate and then I will make paper or other materials for my collages to free up new ideas. Cleaning up my work space is also a good way to recharge. I often find inspiration looking at art books, reading novels, poetry, the news, psalms and proverbs (especially no. 33 A Woman of Valor).

photo by @galezucker

Who are your favorite artists?

My favorites are usually those that I’ve looked at most recently, whether I have sought them out for inspiration for a new project or I just happened to see their work at a gallery or museum. Most recently I have been revisiting Arthur Szyk, Masaaccio, Alice Neel, Marc Chagall, Raphael, Mary Cassat, Raphael Soyer, Daumier, Breugel, Vuillard and The Limbourg Brothers.

photo by @galezucker

photo by @galezucker

Where do you go to discover new artists?

I live outside New Haven, CT, and close to NYC. New Haven has a rich art scene and many working artists. Artspace New Haven is a wonderful way to see new works by local artists. I am a frequent visitor to The Yale University Art Gallery which is a jewel box of a museum and the Yale Center for British Art. I visit museums and galleries in NYC and whenever I travel the museums and galleries are a priority. Instagram has become a great place to meet and communicate with contemporary artists, especially since COVID. Of course, the Hopper Prize website.

photo by @galezucker

photo by @galezucker

Karen Kassap is an artist based in Woodbridge who was recently shortlisted for The Hopper Prize. To learn more about the artist:

Stay Connected

Follow Us on Instagram
@hopperprize

Join Our Network