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© Thomas Allen

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Thomas Allen

Haywards Heath, West Sussex, UK

Artist Statement

At the heart of my practice is a preoccupation with the interplay between our internal worlds and external landscapes. How do we relate to the land, and how is that relationship mediated through desire and modes of consumption?

This has led me to examine contemporary shopping behaviour in the supermarket through the lens of renaissance foraging practices. I’ve also been exploring the way that farms have become more akin to factories, with biological principles displaced by industrial ones.

Reflecting my interest in liminal zones between internal and external worlds, the meticulously rendered dreamscapes I create are designed to evoke a sense of hypnagogia – that transitional period between wakefulness and sleep. Mesmerising pattern and repetitive mark-making draw the viewer into a world where figuration tips into abstraction. Human forms fragment or dissolve into shimmering pattern, blurring the boundary between the body and its environs.

© Thomas Allen

Thomas Allen's Portfolio

© Thomas Allen

Artist Biography

Living and working in the UK, my practice is predominantly studio-based, though it has also involved large-scale site-specific projects comprising installation, performance and audience participation. The conceptual thinking behind my work is informed by sociological theory, in which I have a university degree.

My work has won several awards, including the Figurative Art Now Prize, Cass Art Prize and Anthony J Lester Art Critic Award. Solo exhibitions include ‘The Hand That Feeds’ at Ronchini Gallery, London, and ‘Contemporary Cave Painting, Fitzrovia’ at Rebecca Hossack Gallery, London.

thomasallen.uk.com

@thomasallenart

© Thomas Allen

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