Æmen Ededéen shares insight into a studio practice built on unique systems, the importance of the New Mexico landscape on his current trajectory, & the impact of an early mentor, recently lost.
Johanna Seidel on the natural desire to create, working to develop universally understandable and evocative images, & exploring imagery about places of longing.
Jo Dennis on developing a new body of work, finding inspiration in Tarkovsky’s film Stalker, & pursuing a deep exploration of the psychological potential of materials.
Roxanne Jackson discusses new work in preparation for a solo exhibition, exploring interests in reptiles and mythology, & finding inspiration in a wide range of historical work.
Shawn Huckins on making work that confronts the viewer with their own place in the climate emergency, using windows as a framing device, & finding beauty in surprising landscapes.
Jessica Costa discusses preparations for a solo exhibition and artist residency, the potential for yarn to suggest something organic, & employing materials with endless structural possibilities.
Lily Macrae discusses starting a new series of work, the impact of familial support, & reveling in the alchemy and fleshy potential which oil paint holds.
Olivia Springberg on developing new figurative pieces on shaped canvas, exploring unconventional movement and interaction between bodies and objects, & producing a range of work that is woven within the same web.
Brett Amory on exploring the transient temporarily, creating a symbolic language that deliberately resists stable meaning, & a process that flattens the hierarchy between verified information and digital detritus.
Rebecca Bonaci discusses taking time to experiment, explore, and simply enjoy creating, producing a new series that builds on previous ideas, & pursuing imagery that challenges assumptions.
Milos Anger discusses the freedom of creating under a pseudonym, exploring recurring motifs including nostalgia, home, the subconscious, fear, passion, and identity, & a recent progression from drawing to painting.
Ted Green on maintaining a process-oriented practice, finding inspiration in music, & producing work that revolves around a systematic, conceptual strategy.
Cat Spilman discusses an upcoming exhibition at Isabel Sullivan Gallery, having a creative mother, & exploring how it feels to go home to a place that isn’t really home anymore.
J. Carino discusses the simultaneity of disaster and paradise, early experiences making art, & maintaining a practice that explores a deep range of conceptual perspectives.
Margaret R. Thompson on working toward a site specific installation, finding inspiration in the history of a place, & exploring truth, memory, & the origin of things.
Yeonji Chung discusses developing a love for painting, extracting a visual language from photographs of domestic moments, & fully embracing abstraction.
Molly Blumberg on the hybridity of bodies and domestic objects, preparing for an upcoming solo exhibition, & engaging in a constantly evolving practice.