How did you get into making art?
I feel that I have always had something to say to the world, and I was looking for a way to express it. I’ve always worked with people and have been drawn to the margins. At the age of 24, I began studying photography, inspired by a close friend who started studying it. I had no prior knowledge, but shortly after, within a few months, I fell in love with photography and its ability to touch people and change the world. Roland Barthes, in his book “Camera Lucida” stated that what makes photography unique is that it does not commit itself to anyone; it is like a chameleon that adapts to its surroundings. I Love that tension in art as well. Since then, I feel like I have three eyes: two of my own and one of the camera.
What are you currently working on?
Currently, I am working on several projects. About six months ago, I published a book titled “LGBTQ+ LOVE,” which I dedicated over three years to creating. The book is now traveling around the world, spreading messages of love, inclusion, and acceptance. I continue to take pictures for the project, and towards Pride Month, I always take more photos to give a platform to new lovers.
In addition, I am developing a new video that addresses dating culture and loneliness in the modern world, titled “Where Are You, My Love?” I believe that people need assistance in expressing their feelings, as the culture of dating apps tends to weaken our humanity. It feels as though we have all taken a bite of Snow White’s apple* and fallen into a coma.
I feel that I have always had something to say to the world.
Michael Liani
What inspired you to get started on this body of work?
What inspired me to get started on this body of work is the people themselves. Reality often surpasses all imagination, and the community I focus on is frequently marginalized. We often miss out on the beauty and love that exists within this community due to fear and shame. I wanted to create a platform to challenge the misconception that we do not deserve to be loved or to love.
Do you work on distinct projects or do you take a broader approach to your practice?
In my practice, I typically respond to the events happening around me or in the world. I strive to break down stigmas and fill in the gaps that exist. When people have asked me what I photograph, I often point out that there are already so many pictures in the world. My response is that I focus on capturing what is still missing. There is always something missing.
What’s a typical day like in your studio?
A typical day in my studio really depends on what day you catch me. I have a large round table that I refer to as my thinking table, where I usually sit, write, and reflect. At my computer desk, I edit and review materials based on the project I’m currently working on. Some days, I spend time testing new materials or equipment, while on other days, I focus on rearranging my work for display.
Who are your favorite artists?
In photography, I love the view of Diane Arbus, Lisette Model, Peter Hujar, August Sander, Pierre and Gilles, and Jürgen Teller. I also draw a great deal of inspiration from artists like Marcel Duchamp, Gustave Courbet, Goya, and many others. Overall, I appreciate all forms of art and find inspiration in a wide range of creators. I particularly connect with artists who approach their work as human beings and have the ability to highlight important aspects of humanity.
Where do you go to discover new artists?
I often discover new artists in museums and online. Nowadays, I follow a variety of accounts on Instagram that introduce me to artists I may not know from all over the world, which is truly enjoyable and inspiring. However, I find it challenging to fully appreciate a work of art through a phone screen, as you can imagine.
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