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© Kirsten Valentine

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Kirsten Valentine

Chicago

Artist Statement

I am a painter, a painter obsessed with the human form, particularly the male form. Recently I was asked to come up with a pithy description of my artwork. I settled on: "I paint people. Mostly people in their underpants." A more complex description would acknowledge that I work from found photographs and part of what drives the image is the fact that it was lost or discarded, It is a fragment of a narrative. My paintings are fragments, too. They are deliberately and glaringly unfinished. I create a detailed and complete image and with brushes, rags and knives proceed to distort, obscure, erase and manipulate the image in search of visual balance. Faces are smeared, limbs are only implied, messy brushwork and drips contrast realistic elements of academic portraiture. Even in the more ridiculous images - middle-aged men with their pants down or displaying proud, pink bellies - I try to imbue the subject with a dignity and humanity. I am deeply affectionate towards my subjects, despite, or, perhaps because of the fact that, they nameless strangers.

© Kirsten Valentine

Kirsten Valentine's Portfolio

Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas
Kirsten Valentinen, oil on canvas

© Kirsten Valentine

Artist Biography

Kirsten Valentine is an artist living and working in Chicago. Recently she has exhibited in “Work@Play” at Zg Gallery in Chicago, “Open Call” at Delphian Gallery in London, England and “Tiny Acts Topple Empires” at the Woskob Family Gallery in Pennsylvania, among others. Her consists of figurative painting derived from vernacular photography. The image is driven by that which was lost or discarded, the result a fragment of a narrative. The paintings are deliberately and glaringly unfinished, faces are smeared, limbs implied, all juxtaposed with photorealistic elements. Large areas are left untouched, the painting ground clearly visible, messy brushwork and drips contrast realistic elements of academic portraiture. The figures are isolated, without an environment, background or context, their only relationship is with the viewer.

kirstenvalentine.com

@kirstenvalentine

© Kirsten Valentine

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