The world is collage to me. What happens at the edges and among the layers, where two different materials or ideas meet — that’s where I’m drawn. I have bins and bins of paper and scraps in my studio. It is important to my process that I not use virgin working materials but rather fragments of older work and found materials. Something from something. Beauty from ashes. It’s also important for me to show the sometimes-raw joints, the roughness of their coming together, to be candid about the process of layering and to leave the hand of the artist apparent.
The push and pull between two ideas intrigues me most, the animating tensions between destruction and creation, expansion and contraction, and explosion and implosion. These ideas are embodied in the wilderness. The only constant in the wild is that it will change, that an element can and will be both violent and passive, opposites held in a balance. In a world that is increasingly contentious, the need to feel peace within the chaos becomes more desperate. By drawing, painting and collaging, I seek to find an equivalent to the peace found in wild places.