Elena Bajo’s artistic practice weaves in both personal and political narratives into materials and movements that generate abstract narratives and compositions. Her multidisciplinary practice occurs at the intersection of anarchist thought, social ecology and metaphysics, engaging ideas of nature, and the body as a political and social entity questioning its relationship to ecologies of capital. She works both individually and collectively, using choreography, sculpture, performance, architecture, life sciences, text and video. Concept-generated and research based is concerned with the ecological, social and political dimensions of everyday spaces, the strategies to conceptualize resistance, the poetics of ideologies, and the relationship between temporalities and subjectivities. Exhibition spaces become art studios or laboratories, where an experimental, itinerant, site specific performed work unfolds, generating improvised actions and choreographed movements. The resulting works are both conceptual and poetic, in the sense they are linked to cognitive labor; a labor that cannot be valued and has no limits as it is the condition of precarious work in today’s neoliberal economy generated amidst ecosophical moments of fracture and repositioning, in an attempt to entertain fissures in a world of crystallized sensibility.