My paintings depict psychologically infused narratives of an uncanny world My paintings depict psychologically infused narratives of an uncanny world where the familiar and ordinary are imbued with a sense of mystery and the sublime. Figures inhabit environments suspended between dreams and reality, transfixed by surreal aberrations, uneasy visions and transported states of mind. These scenes are rendered with photorealist detail and set in prototypical Middle American locales such as manicured suburban housing tracts, backyards, graffitied underpasses and train tracks, often illuminated by the late afternoon sunsets of early dusk and fading twilight.
Themes that run through my work are allusionary reflections of my experiences of youth. I was born and raised in suburban Minneapolis and brought up in a small apocalyptic Bible-based cult. My childhood and adolescence were in some ways typical, a time of self-discovery, wandering imagination, feelings of alienation and doubt in a world full of mystery and possibility. Yet amongst tree-lined streets and spacious, ordered homes I also lived in a milieu of end time prophecies foreshadowing a coming new age. Ominus apocalyptic visions were punctuated by the paranoid anxieties of a shifting American zeitgeist, reinforced by the unfolding events of the larger Post-9/11 world, unsettling otherwise quiet perceptions of banal Midwestern normalcy.
Though I would later come to reject the worldview of my upbringing and leave the group in my early twenties, this period still left an indelible mark on my conscious and creative output. Much of the imagery of my paintings take inspiration from those experiences and recollections - a wellspring of memory and personal histories, atomized and diluted with the distance of time. Memories are repurposed and fused with other influences such as film, science fiction, magical realism and sense of place. My paintings are an outgrowth of this negotiation with my past, an attempt to approximate those mysterious undercurrents through symbolic manifestations, finding visual equivalents for inchoate feelings.
Though the characters and scenes depicted in my work are in some psychological sense surrogates for my experiences, the open-endedness of each image lends an indefinable, universal characteristic and the realism with which they are rendered brings an immediate familiarity to the viewer. Being situated in an altered world where things are not always as they seem, strange ambiguities invite the viewer to impart their own experiences and fill in missing parts. Having peered into this realm one might step back and begin to imagine anew the world at large, evoking dreams percolating below the surface.